Tuesday, February 23, 2010

Assignment #2

The Independent Eye
The Tempest 2009
Directed by Conrad Bishop
http://www.independenteye.org/plays/tempest.html

This production features 20 life sized puppets and five actor who blend in with the puppets. You can add puppets to any show, but adding puppets to The Tempest is special because of the supernatural elements. Adding puppets to this show adds to the fantastic elements of the play, it helps the audience believe in the magic that the play presents.

"Ariel and Prospero"
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Rogue Artists Ensemble
Pip 2003
Directed by Sean T. Cawelti
http://www.rogueartists.org/index.php?option=com_content&task=view&id=63&Itemid=112
This production moves the story from England to modern-day Manhattan. The visual style and the original score are all geared to emphasize the location, and it used puppets and masks. This production looks like it maximizes everything it changes. The classics are often thought as dusty old tomes, unapproachable, but this takes all of the important themes of the original and repackages it as something a modern audience can look at.






“So, said Estella, 'I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me'” Charles Dickens, Great Expectations

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Czechoslovak-American Marionette Theatre
Hamlet 2007
Directed by Vit Horejs and Pavel Dobrusky
http://www.brooklynpaper.com/stories/30/46/30_46prince.html

This production features actors in black manipulating smaller marionettes. With the addition off puppets comes a genre shift. Hamlet becomes a bawdy, lewd, and approachable to children and teens. Drawing the attention of children and teens with amoral puppets doesn't mean they will understand it, but it gets the people in the same room.







Wood you believe?: In the Czechoslovak-American Marionette Theatre’s “Hamlet, Prince of Denmark,” Nat Cassidy and this puppet play the title character.

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Majak + Jezek & Cizek
Faust 2007
Directed by Jakub Capka
http://www.radio.cz/en/article/94499

Faust is the most produced play in Prague, Outdoor theatre is not out of the ordinary, but this production is set in a "disused reservoir". Beyond that, all of the actors are homeless people - performing theatre in a sewer! The very idea is exciting. The environment and the performers combine to create this unusual piece of art. Very few of the actors have professional training, and all of them have been homeless at one point in their life. This experience changes the nature of their performance and promises a unique experience.
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LaMaMa
Medea - 2008
Directed by Theodora Skipitares
http://www.playbill.com/news/article/115852-World-Premiere-Puppet-Medea-Begins-LaMaMa-Run-March-13

"Theodora Skipitares and co-designer Cecilia Schiller incorporate various styles of puppets into the production — including life-size Bunraku-style creations — as well as masks, live music and video."
--Adam Hetrick

Medea is a Greek play. The Greek theatre used masks to show emotion. This performance comes back to classic elements by incorporating masks and goes a step further by adding puppets. Having masks, puppets and live music performed by real people feels like a return to the old way of doing thing - which is not always a bad thing.

Tuesday, February 2, 2010

Poject #1

Murderers
by Jeffrey Hatcher (2009)
"Murderers also plays with the conventions of the mystery genre."
http://www.talkinbroadway.com/regional/philly/phil38.html
"an evening of three monologues —performance pieces rather than a play" (it is not a real genre lable, but I find it fasinating that she makes this distiction.)
http://www.curtainup.com/murderers.html

The Seafarer
by Conor McPherson (2009)
"Drama"
http://www.dramatists.com/cgi-bin/db/single.asp?key=3957
"Christmas fable" (as if Christmas charol has created a new genre)
http://theater.nytimes.com/2007/12/07/theater/reviews/07seaf.html

Evie's Waltz
by Carter W. Lewis (2010)
"Evie's Waltz is simply a summer night's melodramatic entertainment."
http://talkingbroadway.org/regional/nj/nj367.html
"A thriller that examines teeenage violence"
http://theater.nytimes.com/2009/06/28/nyregion/28theatnj.html

The Mystery of Irma Vep:
A Penny Dreadful

by Charles Ludlam (2010)
"The Mystery of Irma Vep is a hilarious adventure mystery and door-slamming farce that is part horror movie, part melodrama, part Grand-Guignol, and part drag show"
http://chicagocritic.com/the-mystery-of-irma-vep/
"Irma is awash in bits and pieces parody, vaudeville, farce, melodrama and satire"
http://www.curtainup.com/irmavep.html

Escabana in Love
by Jeff Daniels (2008)
"Show Type: Comedy"
http://www.theatreinchicago.com/playdetail.php?playID=2781
"A terrific warm comedy you will love"
http://www.lakesuperiortheatre.com/escanaba_in_love.htm

A Midsummer Night's Dream
by William Shakespeare (2008)
"Comedy, Pastoral"
http://www.shmoop.com/midsummer-nights-dream/genre.html
"classified as a romance"
http://www.wsu.edu/~delahoyd/shakespeare/mnd1.html

Hamlet
By William Shakespere
"looking at Hamlet as a failed revenge drama can be extremely enlightening"
http://shakespeare-tragedies.suite101.com/article.cfm/hamlet_as_failed_revenge_drama
"Tragedy, Revenge Tragedy"
http://www.shmoop.com/hamlet/genre.html

Almost, Maine
by John Cariani (2009)
"Romantic Comedy"
http://www.dramatists.com/cgi-bin/db/single.asp?key=3759
"delightful romantic comedy"
http://www.colonytheatre.org/news/PRAlmostMaine.html

The Clean House
by Sarah Ruhl (2009)
"An intellectual comedy, The Clean House builds itself around a concept: cleaning."
http://seattlest.com/2007/04/17/sarah_ruhls_the_clean_house_act_theatre.php
"Comedy"
http://www.samuelfrench.com/store/product_info.php/products_id/6580

Blackbird
by David Harrower (2009)
" It's an intense psychodrama that won't let your mind wander even though there are times this story makes you wish you could switch channels."
http://www.curtainup.com/blackbirdny.html
"a taut two-character drama about an illicit affair between a young woman and an older man"
http://www.nytimes.com/2007/04/09/theater/09black.html
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Medea
Euripides (2007)
"Like most melodramas, it is virtually devoid of philosophical depth or moral insight"
http://www.nytimes.com/1992/05/07/arts/review-dance-a-fast-paced-medea-from-michael-smuin.html?pagewanted=1
"Gripping Greek tragedy"
http://www.samuelfrench.com/store/product_info.php/products_id/1696

Much ado About Nothing
William Shakespeare (2007)
"better known comedies"
http://www.reelviews.net/movies/m/much_ado.html
"a Shakespearean romantic comedy"
http://movies.nytimes.com/movie/review?res=9F0CE7DD133DF934A35756C0A965958260

Summer and Smoke
Tennessee Williams (2009)
"Drama"
http://www.dramatists.com/cgi-bin/db/single.asp?key=1805
"As drama, it’s all foreplay going nowhere"
http://www.niagarafallsreview.ca/ArticleDisplayGenContent.aspx?e=3233

Persians
Aeschylus (2009)
“its history lesson about power and its misuse is also the stuff of high drama’
http://www.curtainup.com/persians.html
"Even by the relatively static standards of Greek tragedy “The Persians” is stubbornly action-free."
http://theater.nytimes.com/2006/09/18/theater/reviews/18pers.html

Men in White
Sidney Kingsley (2010)
“The drama focuses on the personal sacrifices required by the medical profession.”
http://www.enotes.com/men-white
Drama
http://www.doollee.com/PlaywrightsK/kingsley-sidney.html

O Pioneers!
Darrah Cloud (2010)
"bittersweet romance"
http://www.playdatabase.com/play.asp?play=829A4587-BA88-4A5C-AE61-02A5B4EEACC1
"Musical"
http://www.talkinbroadway.com/ob/5_3_01.html